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伊斯法罕羊毛毯
產(chǎn)地：伊斯法罕（波斯中部）
年代：20世紀(jì)中期
材質(zhì)：羊毛、棉
尺寸：334×257 cm
AN ISFAHAN WOOL CARPET
Origin: Isfahan, Central Persia
Age: Mid 20th Century
Medium: Wool, Cotton
Size: 334×257 cm
RMB: 40,000－60,000
這條精致華貴的地毯出自著名編織大師卡汗扎伊（Khanjari）之手，這一類地毯無(wú)疑是收藏者們爭(zhēng)相競(jìng)購(gòu)的對(duì)象。它所體現(xiàn)出的無(wú)窮變幻的特征對(duì)后世產(chǎn)生了顯著的影響。此毯采用了純天然染料，色彩對(duì)比鮮明、均勻，之所以能獲得極佳視覺(jué)感受，最重要一點(diǎn)就是和諧的構(gòu)圖比例。
毯面中央是構(gòu)造精美的中心葵，象征著天堂之門，十六重瓣的花紋比起大多數(shù)伊斯法罕地毯顯得更為緊湊，清晰的紋飾在紅色背景的襯托下顯得更加突出。螺旋形的象牙色莖線將形態(tài)各異的花葉圖案連為一體，具有了一種韻律感。地毯的邊框圖案同樣精心，裝飾著“阿巴斯”經(jīng)典圖紋，深藍(lán)色的主邊界與象牙色的花邊相互映襯，為整幅作品增添了極佳的視覺(jué)美感。
The high quality of design and craftsmanship is attested to by the renowned master weaver, Khanjari. It embodies the timeless characteristics which exercised a decisive influence on their successors. The well-balanced natural vegetable dye colors depend on their vitality for the contrast of clearly delineated matching shades but the key to the whole lies in the harmony of well-judged proportions.
A complex ivory medallion of superimposed sixteen point ornaments is far more coherent in construction than most of the Isfahan medallions; its graphic clarity ensures a focal role against the red field in which a spiral stem in ivory binds together in an ornate yet excellently-spaced floral and foliate design. The demonstrative main dark blue border of shah-abbasi is held between four stripes among which the two ivory elements make a contribution to the carpet’s visual impression.